Rozalie Hirs

News and events archive, search by tag: Casper Schipper

2018/05/17

Luisterhuis, STEIM, Amsterdam

From 17 May until 17 September 2018 The Listening House (Luisterhuis; 2017) by Machiel Spaan (concept, design) and Rozalie Hirs (music) is exhibited at Sound Art Expo, STEIM, Schipluidenlaan 12, 1062 HE Amsterdam, The Netherlands. The exhibition is open every Thursday and Friday from 13:00-17:00 (except on public holidays).
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2018/01/19

Luisterhuis (2017; The Listening House), Doetinchem

From 19 January until 19 March 2018 Het Luisterhuis (2017; The Listening House), the architectural interactive sound sculpture by Machiel Spaan/M3H architecten (concept, design) and Rozalie Hirs (music), is exhibited at the Openbaar Vervoer & Speelgoed Museum, Doetinchem, The Netherlands, as part of The Dolls’ House Project, initiated and curated by the architect Peter Masselink. Mark Boumans, the major of Doetinchem, officially opens the exhibition on 19 January 2018 at 12:00 CET. Subsequently it is open to the public from Tuesday through Saturday (12:00-17:00) and on Sunday (13:00-17:00). The museum is closed on Mondays.

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2017/11/06

Luisterhuis (2017; The Listening House), November Music

From 6 until 12 November 2017 Het Luisterhuis (2017; The Listening House), the architectural interactive sound sculpture by Machiel Spaan/M3H architecten (concept, design) and Rozalie Hirs (music), is exhibited at November Music, Den Bosch. The exhibition lasts for the entire duration of the festival; its opening hours are from 9:00-21:00 daily.

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2017/11/04

Luisterhuis (2017), Architectuurcentrum Amsterdam

From 4 November until 9 December 2017 The Listening House (Luisterhuis; 2017) by Machiel Spaan (concept, design) and Rozalie Hirs (music) is exhibited in Architectuurcentrum Amsterdam.

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2017/11/03

Finetuning Luisterhuis for November Music

This morning we have been finetuning Luisterhuis by Machiel Spaan (concept, design) and Rozalie Hirs (music) for November Music. At Willem II, the building across the street from Verkadefabriek in Den Bosch.

Remko Spaan has done wonderful carpentry work, yet again, and Casper Schipper has programmed and assembled the excellent electric wiring, sensor and speaker set-up. The interactive architectural sound sculpture is now up and running for the duration of the festival (3-12 November 2017). And is also very suited for young visitors. I will be around on several days. Do let me know if you like a small tour. Welcome!

Here are a few snapshots of this morning’s installation. The photographs, showing Casper Schipper, Rozalie Hirs, and Luisterhuis, were made by Machiel Spaan.


2017/10/22

Luisterhuis (The Listening house; 2017), Dutch Design Week

From Saturday 22 October until Sunday 29 October 2017 The Listening House (Luisterhuis; 2017) by Machiel Spaan (concept, design) and Rozalie Hirs (music) is exhibited the Dutch Design Week, Eindhoven, The Netherlands. (photograph ©2017 Allard van der Hoek)

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2017/08/16

Luisterhuis (The Listening house; 2017), Museum Schunck

Luisterhuis (2017; The Listening House), the architectural interactive sound sculpture by Machiel Spaan/M3H architecten (concept, design) and Rozalie Hirs (music), is exhibited from 17 August until 15 October 2017 at Museum Schunck/Glaspaleis, Heerlen, The Netherlands, as part of the Dolls’ House Project. The exhibition will be opened at 17:00 CET with lectures by Machiel Spaan, Peter Masselink, and others. Welcome!
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2017/07/13

Luisterhuis (The Listening house; 2017), BKKC

Luisterhuis (2017; The Listening House), the brandnew architectural interactive sound sculpture by Machiel Spaan/M3H architecten (concept, design) and Rozalie Hirs (music), is exhibited from 13 July until 13 August 2017 at Brabants Kenniscentrum Kunst en Cultuur, Tilburg, The Netherlands, as part of the Dolls’ House Project, curated by Peter Masselink.


2017/06/21

Opening of Dolls’ House exhibition: lecture on Luisterhuis (2017)

On 21 June 2017 at 20:00 CET at Design Café Achterhoek, Gruitpoort, Doetinchem, Peter Masselink opens his Dolls’ House exhibition. Machiel Spaan presents a lecture on his new Luisterhuis (The Listening House; 2017), an architectural interactive sculpture he designed in collaboration with Rozalie Hirs.


2017/04/10

Luisterhuis (2017; The Listening House) opening

On 10 April 2017 at 16:00 CET the Luisterhuis, The Listening House, a new architectural sculpture and sound installation by Machiel Spaan/M3H Architects (concept, design) and Rozalie Hirs (music composition), was shown to the public for the first time. It is part of the Dolls’ House Project, a traveling exhibition of model houses, each designed and assembled by a renowned Dutch architect. The accompanying book was also presented on 10 April 2017 at Radboud Universitair Medisch Centrum, Nijmegen, The Netherlands.

The Dolls’ House Project was initiated and curated by the architect Peter Masselink as a benefit exhibition to enhance awareness about congenital metabolic disorders: the Inborn errors of metabolism. A series of exhibitions of eighteen sculptures throughout The Netherlands during 2017-18 is to be concluded by an auction of all sculptures; the revenue will be donated to scientific research on the diseases.

Luisterhuis (2017, The Listening House), a collaboration by Hirs and Spaan, can be regarded as the successor of their location-specific interactive sound and poetry app Curvices (2013) with virtual listening rooms, spatially designed by Spaan. The outdoor spaces can be explored by walking through the museum park Klankenbos, Neerpelt, Belgium (2013-present), Citadel, Den Bosch, The Netherlands (2014-present), and Muziekgebouw aan ‘t IJ, Amsterdam (2015-16). In Curvices, GPS technology localizes the listener’s position and triggers the respective song or soundtrack. In The Listening House the rooms are actually physically present as part of the model, an abstract dolls’ house, designed by Spaan. Again each room possesses its own soundtrack. The rooms and their sounds can be explored by walking around the model and approaching the desired position. Sensors judge the proximity of the listener and trigger the corresponding sounds signalling the environment and function of the living spaces.

With special thanks to Casper Schipper (electronic wiring setup of speakers and sensors), Remko Spaan (woordwork), Layla Hollestelle and Menno Ubink (technical support).


2017/04/10

Luisterhuis (2017) opening, book presentation [invitation]

Today on 10 April 2017 at 16:00 CET the Luisterhuis, The Listening House, a new architectural sculpture and sound installation by Machiel Spaan/M3H Architects (concept, design) and Rozalie Hirs (music composition), will be shown to the public for the first time. It is part of the Dolls’ House Project, a traveling exhibition of model houses, each designed and assembled by a renowned Dutch architect. The accompanying book is also to be presented today at Radboud Universitair Medisch Centrum, Nijmegen, The Netherlands. Welcome!

The Dolls’ House Project was initiated and curated by the architect Peter Masselink as a benefit exhibition to enhance awareness about congenital metabolic disorders: the Inborn errors of metabolism. A series of exhibitions of eighteen sculptures throughout The Netherlands during 2017-18 will be concluded by an auction of all sculptures; the revenue will be donated to scientific research on the diseases.

Luisterhuis (2017, The Listening House), a collaboration by Hirs and Spaan, can be regarded as the successor of their location-specific interactive sound and poetry app Curvices (2013) with virtual listening rooms, spatially designed by Spaan. The outdoor spaces can be explored by walking through the museum park Klankenbos, Neerpelt, Belgium (2013-present), Citadel, Den Bosch, The Netherlands (2014-present), and Muziekgebouw aan ‘t IJ, Amsterdam (2015-16). In Curvices, GPS technology localizes the listener’s position and triggers the respective song or soundtrack. In The Listening House the rooms are actually physically present as part of the model, an abstract dolls’ house, designed by Spaan. Again each room possesses its own soundtrack. The rooms and their sounds can be explored by walking around the model and approaching the desired position. Sensors judge the proximity of the listener and trigger the corresponding sounds signalling the environment and function of the living spaces.

With special thanks to Casper Schipper (electronic wiring setup of speakers and sensors), Layla Hollestelle and Menno Ubink (technical support).


2017/02/08

This Singing of Tongues (2013) on SoundCloud

A new addition on SoundCloud: This Singing of Tongues (2013) by Rozalie Hirs, a song from her album Curvices and the nineteenth poem from her poetry book Curvices and Musicles (Uitgeverij Vleugels, Bleiswijk, 2013).

The track is also features in her poetry and music installation Curvices, commissioned by Klankenbos/Sound Forest, Neerpelt, Belgium: Curvices (2013) is a digital application, a virtual poetry and sound installation for cell phones, that accompanies you on your walk through the museum park Klankenbos/ Sound Forest in Neerpelt, Belgium. By changing location you codetermine the development of the music and the poetry. Where are you? What do you hear? Is it indigenous birds that are singing in the forest or do you hear birds from Portugal through your cell phone? Is it a siren you hear or is it the wind? By exploring the terrain you probe sounds and words, you make a journey through the forest, around the world, in as many steps as you like.

The forest has been divided into ten zones, virtual spaces, each with their own composition and animation, that have been composed, designed, and programmed, respectively by Hirs, Cox & Grusenmeyer and Yvan Vander Sanden. The soundapp Curvices registers your location through the GPS on your cell phone or tablet. If you enter a new zone, the corresponding composition sounds and the animation becomes visible. If you are between zones, you hear a recognizable interlude full of birds and sparkling overtones.

Rozalie Hirs (music, poetry, voice)
Cox & Grusenmeyer (design, animation)
Yvan vander Sanden (software design, realization)
Machiel Spaan (spatial design)

Wiek Hijmans (electric guitar)
Patricio Wang (bass guitar)
Martín Ibarburu (drums)
Magnus Robb (birdsong recordings)
Carlos Dalla-Fiore (mixing, mastering)
Mathijs de Valk (technical assistance)


2015/11/10

Performance by ASKO|Schönberg

151108-RozalieHirs-rehearsal-AskoSchonberg-ReinbertdeLeeuw-Thehoneycombconjecture

Very happy with yesterday’s premiere of The honeycomb conjecture performed by Reinbert de Leeuw (conductor) and ASKO|Schönberg at the closing concert of NOW! Prismen 2015 at the Philharmonie Essen, Germany. Above is a photograph of the dress rehearsal in the afternoon. Below is a photograph taken just after the performance.

Special thanks to Philharmonie Essen for commissioning the new composition, to Casper Schipper for assistance with the sound synthesis in SuperCollider, to Jan Panis for sound projection in the hall, to Justus Vriesen for being such an impeccable producer, to Fedor Teunisse for his moral support, and to Wim Vos and Günther Steinke for programming the piece in the first place, along with such heroes as Vivier, Saariaho, and Lachenmann.

Extra special thanks to Machiel Spaan and Maria van Daalen for their love and friendship during the creative process.

151108-RozalieHirs-premiere-AskoSchonberg-ReinbertdeLeeuw-Thehoneycombconjecture


2015/06/06

Atlantis ampersand – world premiere

150606-Klangforum-Wien-Urbo-Kune-Holland-Festival-Rozalie-Hirs

On 6 June 2015, Klangforum Wien, Vokalensemble NOVA, and Enno Poppe (conductor) perform the 25-hour program Urbo Kune at Holland Festival, Amsterdam. Part of the program is Atlantis ampersand, a brand-new work by Rozalie Hirs for eighteen players (2fl, cl, bass cl, cfg, cor, tp, tb, 2perc, pf, acc, midi keyboard, 2vlns, vla, vc, cb), eight singers (2SATB), and electronic sounds, commissioned by Holland Festival. The performance of Hirs’ work takes place at 14:25 CET at the Main Hall of Muziekgebouw aan’t IJ.

Special thanks to Casper Schipper for assistance with the sound synthesis in SuperCollider and to Peter Böhm for the sound projection in the hall.

→ Nederlands


2015/05/01

Hilbert’s Hotel

150426-RozalieHirs-Huygens-Fokker-Hilberts-Hotel-premiere

Last Sunday, on 26 April 2015 at 11:15 CET, the brand-new composition by Rozalie Hirs Hilbert’s Hotel (2015) for 31-tone player organ and electronic sounds received its premiere at Muziekgebouw aan’t IJ, Amsterdam, Netherlands. The work was commissioned by the Huygens-Fokker Foundation with financial support of the Dutch Performing Arts Fund.

All calculations were carried out in OpenMusic, the sound synthesis in SuperCollider. During the concert Protools was used as an interface to communicate with the organ through 3 channels of MIDI messages. Special thanks to Casper Schipper for his assistance with the sound synthesis.

(the photograph shows Hirs sitting at her computer next to the 31-tone organ during the premiere of Hilbert’s Hotel on 26 April 2015)

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2015/04/26

Hilbert’s Hotel – world premiere

Keyboard of the 31-tone Fokker organ for Rozalie Hirs's Hilberts Hotel (2015), premiere 26 April 2015 in Muziekgebouw aan't IJ, Amsterdam, The Netherlands

On 26 April 2015 at 11:00 CET the new composition Hilbert’s Hotel for microtonal organ and electronic sounds by Rozalie Hirs receives its world premiere during the program Hilbert’s Hotel at Muziekgebouw aan’t IJ, Amsterdam, The Netherlands. The organ is the 31-tone Fokker organ of the Huygens-Fokker Foundation, Center for Microtonal Music, Amsterdam. The photograph shows the keyboard of the instrument.

Other works on the program are Reflexions Sonores by Henri Carf and several baroque works for flute and organ. The performers of these works are Ere Lievonen (organ) en Raymond Honing (flute).

Special thanks to Casper Schipper for assistance with the sound synthesis in SuperCollider.

→ Nederlands


2014/11/06

Roseherte – world premiere of the new version for orchestra

November Music: Perfromance of 'Roseherte' by Rozalie Hirs at opening concert, 6 November 2014During the opening concert of November Music 2014 on Thursday 6 November 2014 Roseherte (2008) by Rozalie Hirs will be performed by Philharmonie Zuidnederland.
In its original version this work is scored for a ninety-piece symphony orchestra & electronic sounds. On 6 November 2014 a brandnew version for forty-two piece orchestra & electronic sounds will be played. The new instrumentation is 2222.2221.arp.2perc.pf.66442 & electronic sounds. For more info on the composition, please visit its main page.

Special thanks to Casper Schipper for assistance with the sound synthesis in CSound and to Jan Panis for sound projection in the hall.

→ Nederlands



Ard Posthuma, Dichters in de Prinsentuin, Conservatorium van Amsterdam, Johan De Boose, Jeroen Dera, Carl De Strycker, Logos, Doelenkwartet, De Doelen, Piet Gerbrandy, De Gids, Reinbert de Leeuw, Fixpoetry, Huygens-Fokker, Hilbert's Hotel, Pulsars, article 5, Curved Space, Eleanor Livingstone, Stanza Poetry Festival, David Kweksilber, Dutch Foundation for Literature, Bianca Sistermans, Arbre généalogique, Lyrikline, Wim Henderickx, ein tag, Ways of Space, Jaap Blonk, Marijke Hoogenboom, Mikhail Malt, Niels Bogaards, Clarence Barlow, Richard Ayres, Marco Stroppa, Nieuw Ensemble, Benjamin Thigpen, Joël Bons, Bert Van Herck, Ernestine Stoop, To the sun, Cathy Van Eck, ahora es una rosa, Rosalie Hirsch, Rozalie Hirsch, Rosalie Hirs, Joep Stapel, Kars Persoon, hochroth verlag, Marc Reichow, Poëziecentrum, Edwin Fagel, Sonar Quartett, WDR, 3 durch 3, Keiko Shichijo, Margot Dijkgraaf, Yauguru Books, Henri Deluy, James Fei, život mogućnosti, Olivier Messiaen, De Link, Katharina Rosenberger, Attacca Productions, SPECTRA Ensemble, Filip Rathé, Etienne Siebens, Platonic ID, Nora Fischer, Boris Tellegen, Geert Jan Mulder, Daniel Cunin, Van Doesburg House, Zaterdagmatinee, lightclouds, Musikfabrik, Kim Andringa, Jochem Valkenburg, Kunstempel, Emilio Pomarico, Louis Andriessen, 3durch3, Todd Moellenberg, Klangforum Wien, UCSB, Gaudeamus, Laurens Ham, Harm van den Dorpel, Philip Thomas, On Tenderness, Donderdagavondserie, Amsterdam Sinfonietta, Kaija Saariaho, philharmonie zuidnederland, Festival van Vlaanderen, Sound installation, Zephyrkwartet, Sixxen, Marieke Franssen, Sound Forest, Paul Craenen, Stefan Asbury, Performing Arts Fund, Ooteoote, Sacro Monte, Lichtende Drift, Venus, Johannes Fischer, Klankenbos, Bas Wiegers, Slagwerk Den Haag, Tristan Murail, Gérard Grisey, Bridge of Babel, In LA, Friedrich Block, Infinity Stairs, Meditations, parallel sea [to the lighthouse], Curvices and Musicles, article 6, Nadir, article 8, Bert Palinckx, article 0, Book of Mirrors, Yvan Vander Sanden, article 4, article 1 to 3, Roseherte, Concertgebouw Orchestra, Jorinde Keesmaat, Bauwien van der Meer, OMTristan, OpenMusic, Bozzini Quartet, Luisterhuis, Cox & Grusenmeyer, Muziekgebouw aan 't IJ, Interactive song cycle, Holland Festival, Remko Spaan, The listening house, parallel world and sea, article 7, Michaël Snitker, Daniela Seel, parallel world [breathing], kookbooks, Arnold Marinissen, Joost Baars, gestammelte werke, Wiek Hijmans, Family Tree, Casper Schipper, Deuss Music, Zenit, Curvices, November Music, Fie Schouten, Lucky Charm, Teaching, ASKO|Schönberg, gestamelde werken, Perdu, Machiel Spaan, verdere bijzonderheden, Geluksbrenger, Donemus Publishing, Uitgeverij Querido