Rozalie Hirs

News and events archive, search by tag: Bert Palinckx

2014/11/08

Nadir (2014) – Dutch premiere

Quatuor Bozzini (photograph: Michael Slobodian) at November Music with a new work by Rozalie Hirs

On 8 November 2014 at 19:00 Bozzini Quartet will present the Dutch premiere of Nadir for string quartet and electronic sounds (2014) by Rozalie Hirs at November Music, Den Bosch, The Netherlands. In 2011 and 2012 the exquisite Bozzini Quartet, based in Montréal, toured Hirs’s first string quartet Zenit (2010) in Canada, The Netherlands, and Switzerland. The new work is scored for two violins, viola, cello, and electronic sounds. The sounds are synthesized from sinetones through additive synthesis. The other pieces on the programme are a new work by Frederik Neyrinck and Euler Lattice Spirals Scenery by Marc Sabat. (photograph: Michael Slobodian)

With special thanks to Casper Schipper for assistance with the sound synthesis in SuperCollider and to Arne Bock for the sound projection in the hall.

Nadir (2014) was commissioned by Bozzini Quartet and November Music, with financial support from the Netherlands Performing Arts Fund.

→ Nederlands


2014/11/08

Nadir [invitation]

Bozzini Quartet performing 'Nadir' (2014) by Rozalie Hirs at Cenakel, Tilburg, The Netherlands, 28 October 2014

You are cordially invited to the Netherlands premiere of Nadir for string quartet and electronic sounds (2014) by Rozalie Hirs, performed by Bozzini Quartet, today at 19:00 CET at November Music, De Toonzaal, Den Bosch, The Netherlands. The other pieces on the program are Gestalt X (2014) by Frederik Neyrinck, also a Netherlands premiere, and Euler Lattice Spirals Scenery by Marc Sabat. Nadir (2014) was commissioned by Bozzini Quartet and November Music, with financial support from Netherlands Performing Arts Fund.

With special thanks to Casper Schipper for assistance with the sound synthesis in SuperCollider and to Arne Bock for the sound projection in the hall.

Photograph: Bozzini Quartet performing Nadir (2014) by Rozalie Hirs at Cenakel, Tilburg, The Netherlands, on 28 October 2014.


2014/11/07

Curvices Den Bosch music and poetry app [invitation]

Rozalie Hirs: Curvices music and poetry app (track: Proofs of Love)

From today onwards the Curvices music and poetry app is a permanent virtual installation at De Citadel in Den Bosch, The Netherlands. The app is available as a free download for iOS (iPhone and iPad) or Android (all other phones and tablets) or through scanning the OR code below. The site is open Monday through Saturday from 10:00-17:00. The app is loation specific and only works when present on the grounds of De Citadel in Den Bosch, The Netherlands.

Enjoy!

Curvices (2013) is a digital application, a virtual poetry and sound installation for mobile devices, based on the poetry book Curvices and Musicles by Rozalie Hirs (music, poetry, voice), Cox & Grusenmeyer (design, animations), Yvan Vander Sanden (software design, realisation), and Machiel Spaan (spatial design).

[PDF English Curvices Den Bosch]
[PDF Nederlands Curvices Den Bosch]

141106-RozalieHirs-Curvices-Den-Bosch-QR-code

Adapted for De Citadel, Den Bosch, The Netherlands, at the kind invitation by November Music, 2014. Commissioned by Klankenbos / Musica, Neerpelt, Belgium, 2013. With financial support from a Composition Stipend 2012-2013 from Fonds Podiumkunsten. In collaboration with Wiek Hijmans (electric guitar), Patricio Wang (bass guitar), Martín Ibarburu (drums), Carlos Dalla-Fiore (mixing, mastering), Matthijs de Valk (technical assistance). Special thanks to Magnus Robb for giving permission for the use of his bird song recordings.

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(photographs: walking with the Curvices app in Klankenbos, Neerpelt)


2014/11/07

Curvices Den Bosch music and poetry app – opening

Rozalie Hirs: Curvices music and poetry app (track: Proofs of Love)

From 7 November 2014 onwards the Curvices music and poetry app is a permanent virtual installation at De Citadel in Den Bosch, The Netherlands. The app is available as a free download for iOS (iPhone and iPad) or Android (all other phones and tablets) or through scanning the OR code below. The site is open Monday through Saturday from 10:00-17:00. The app is loation specific and only works when present on the grounds of De Citadel in Den Bosch, The Netherlands.

Curvices (2013) is a digital application, a virtual poetry and sound installation for mobile devices, based on the poetry book Curvices and Musicles by Rozalie Hirs (music, poetry, voice), Cox & Grusenmeyer (design, animations), Yvan Vander Sanden (software design, realisation), and Machiel Spaan (spatial design).

Adapted for De Citadel, Den Bosch, The Netherlands, at the kind invitation by November Music, 2014. Commissioned by Klankenbos / Musica, Neerpelt, Belgium, 2013. With financial support from a Composition Stipend 2012-2013 from Fonds Podiumkunsten.

[PDF English Curvices Den Bosch]
[PDF Nederlands Curvices Den Bosch]

141106-RozalieHirs-Curvices-Den-Bosch-QR-code

141107-Visting-Curivces-RozalieHirs-DeCitadel-DenBosch-NovemberMusic


2014/11/06

Roseherte – world premiere of the new version for orchestra

November Music: Perfromance of 'Roseherte' by Rozalie Hirs at opening concert, 6 November 2014During the opening concert of November Music 2014 on Thursday 6 November 2014 Roseherte (2008) by Rozalie Hirs will be performed by Philharmonie Zuidnederland.
In its original version this work is scored for a ninety-piece symphony orchestra & electronic sounds. On 6 November 2014 a brandnew version for forty-two piece orchestra & electronic sounds will be played. The new instrumentation is 2222.2221.arp.2perc.pf.66442 & electronic sounds. For more info on the composition, please visit its main page.

Special thanks to Casper Schipper for assistance with the sound synthesis in CSound and to Jan Panis for sound projection in the hall.

→ Nederlands


2014/11/06

Roseherte [invitation]

Rehearsal of 'Roseherte' (2008; 2014, arrangement) by Rozalie Hirs with Bas Wiegers and Philharmonie Zuidnederland

You are cordially invited to the world premiere of the new arrangement of Roseherte for 42 players and electronic sounds (version for 90 players and electronic sounds, 2008; 2014) at the opening concert of November Music tonight at 20:00 CET at Verkadefabriek, Den Bosch, The Netherlands. The performers are Bas Wiegers (conductor) and Philharmonie Zuidnederland. For more info on the composition, please visit its main page.

Concert program:

Rozalie Hirs – Roseherte
Stian Westerhus – The Redundance 40 (ft. Stian Westerhus)

– intermission –

Kate Moore – Days & Nature
Valgeir Sigurdsson – No Nights Dark Enough (ft. Valgeir Sigurdsson)

It would be great to see you at the concert and have a drink together afterwards.

(photograph: rehearsal of Roseherte with Bas Wiegers and Philharmonie Zuidnederland in Philipszaal, Eindhoven, The Netherlands, on 4 November 2014)


2014/05/27

Composer in Focus at November Music 2014

Rozalie Hirs (©2008 Co Broerse) attending a rehearsal of 'Roseherte' (2008) with Netherlands Radio Philharmonic Orchestra and Micha Hamel (conductor), 5 November 2008, Hilversum

Rozalie Hirs will be one of the Composers in Focus at November Music, the contemporary music festival of The Netherlands, this year. Her composition Roseherte will be performed by philharmonie zuidnederland at the opening concert. Her brand-new string quartet with electronic sounds will be played by the Montréal-based Bozzini Quartet at their concert on November 8. And her sound and poetry app Curvices will be a permanent installation for the duration of the festival. More news will be posted on the November Music website soon!


2014/03/03

Roseherte at November Music 2014

November Music logo

Just received the great news that my composition Roseherte for orchestra and electronic sounds will be played by Philharmonie Zuidnederland during the opening of November Music 2014. It is a great honor to be making a new arrangement for the opening night on 6 November 2014, that will also feature works by Kate Moore and Juan Felipe Waller.

The new instrumentation consists of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2, trumpets, 2 trombones, tuba, harp, 2 percussionists, piano, strings (6 first violins, 6 second violins, 4 violas, 4 cellos, 2 double basses), and electronic sounds (1 player). This means that the instrumentation is to be reduced from ninety to forty-two players – not an easy task. I shall be looking forward to analyzing the composition, and to the new arrangement, using all microtones that were originally calculated. In the original score the microtones were omitted from the first movement for reasons of pragmatism (not in the electronics, though, so the absolute non-approximated frequencies are still audibly present). Microtones were only used in the second movement of the score, once the lush spectral harmonic fields make their appearance. Trying to compensate somehow for the smaller number of available voices, I am now going to arrange the first movement microtonally as well, and hope to thus enhance the inner resonance of its harmonic material.

Already working on two other pieces to be premiered in October & November 2014: new pieces for Bozzini Quartet, and Amsterdam Sinfonietta. It is an exciting, as well as a little bit intimidating, year!



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